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Arts, European --- Cupid and Psyche (Tale) in art --- Psyche (Greek deity) --- Themes, motives --- Apuleius. --- Illustrations.
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Cupid and Psyche (Tale) --- Love --- Mythology --- Psychoanalysis and literature --- Soul --- Psychological aspects --- Apuleius.
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Art --- Cupid --- Psyche --- Cupid and Psyche (Tale) in art --- Psyche (Greek deity) --- Eros (Greek deity) --- Mythology, Classical, in art --- Psyche [Mythological character] --- Cupid [Mythological character]
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Narcisse, figure tant et tant représentée, est au cœur de cet ouvrage qui cherche à revisiter l'antique mythe, par ailleurs fondateur d?un des pans les plus féconds de la pensée psychanalytique contemporaine. Il met également ce mythe de Narcisse (tel que lu par Ovide) en perspective avec celui d?Erôs et Psychè (tel que lu par Apulée), suggérant que la figure féminine de Psychè serait en quelque sorte l?antidote du péril narcissique.
Narcissism --- Philosophy --- Mythology --- Psychoanalysis --- Freud, Sigmund, --- Narcissism. --- Cupid and Psyche (Tale) --- Psychological aspects. --- Narcissus ((Greek mythological character)) --- Criticism and interpretation --- Freud, Sigmund, - 1856-1939
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Apuleius' tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text.Apuleius' story of the love between the mortal princess Psyche (or "Soul") and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children's books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars.Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.
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The Eros and Psyche myth has, over the course of the twentieth century, received nearly as much attention from depth psychologists as has the Oedipus story. In their attempt to better understand this popular story, scholars have proposed various interpretations, which have generally followed eithether Freudian or Jungian theories about the nature of the psyche and its development. This elaborate work provides serious students of psychology, religion and mythology with a detailed account and analysis of what has been accomplished in the spychological interpretation of the Eros and
Mythology --- Psychoanalysis and literature. --- Cupid and Psyche (Tale) --- Soul. --- Love. --- Pneuma --- Future life --- Philosophical anthropology --- Theological anthropology --- Animism --- Spirit --- Affection --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Tales --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature --- Psychological aspects. --- Apuleius. --- Eros (Greek deity) --- Psyche (Greek deity) --- Eros. --- Freud. --- Freudian. --- Jung. --- Jungian. --- eros and psyche. --- folklore. --- mythology. --- psyche.
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Fairy tales are supposed to be magical, surprising, and exhilarating, an enchanting counterpoint to everyday life that nonetheless helps us understand and deal with the anxieties of that life. Today, however, fairy tales are far from marvelous-in the hands of Hollywood, they have been stripped of their power, offering little but formulaic narratives and tame surprises. If we want to rediscover the power of fairy tales-as Armando Maggi thinks we should-we need to discover a new mythic lens, a new way of approaching and understanding, and thus re-creating, the transformative potential of these stories. In Preserving the Spell, Maggi argues that the first step is to understand the history of the various traditions of oral and written narrative that together created the fairy tales we know today. He begins his exploration with the ur-text of European fairy tales, Giambattista Basile's The Tale of Tales, then traces its path through later Italian, French, English, and German traditions, with particular emphasis on the Grimm Brothers' adaptations of the tales, which are included in the first-ever English translation in an appendix. Carrying his story into the twentieth century, Maggi mounts a powerful argument for freeing fairy tales from their bland contemporary forms, and reinvigorating our belief that we still can find new, powerfully transformative ways of telling these stories.
Fairy tales --- History and criticism. --- Social aspects. --- Basile, Giambattista, --- Criticism and interpretation. --- basile, fairy tale, folklore, tradition, narrative, literature, magic, mythology, myth, grimm brothers, adaptation, france, italy, germany, cupid and psyche, king cardiddu, orpheus, romanticism, brentano, beauty, marvel, postmodernism, disney, beasts of the southern wild, nonfiction, apuleius, robert coover, memoir, trauma, archetype, film, popular culture, history.
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